“Hello, I Am Flower” is a representation of the Flower Diva. Or to be a little more scientific, a morphic field pattern of flowers.Β Thanks to Rupert Sheldrake for his morphic field concept.
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If you’d like to consider supporting my work on a monthly basis (for as little as $1 a month) and keep me painting, I’d love to have you join my team and get available discounts on original art and exclusive behind the scenes content: patreon.com/spyderwebb
Well, it’s finally done. Complete with Mars in the sky. I know, there’s a lot of finicky detail to take in with this one.
I usually have some semi profound and/or pretentious things to say about my paintings, but I think you can go with just the title on this one and take it anywhere you want to go.
I know it can be helpful for the artist to write something about their art, but if I could put it into words I wouldn’t have to paint it, would I?
So what am I trying to say with this artwork? I’m not sure the title even relates to what I’m trying to say with it. Now that I think about it, I’m not trying to “say” anything with my art. If I were, my paintings would just be illustrations to flesh out a narrative of some sort. And they’re not that. Usually, anyway — don’t hold me to that in every case!
I think the pieces just want to be born. It’s my job to deliver them, then they can interact with each viewer in a very personal way. And I don’t like to limit exactly what that looks like for anybody, because what do I know about that?
Of course, that runs exactly counter to all the marketing advice for artists. Tell a story to engage your viewers or collectors! And I know that’s good advice, and it really helps a lot of people to enter into the spirit of the artwork more easily. But my paintings are more about feelings and spirit, and I don’t want to constrain or limit what that looks like for anyone.
Gotta strike a balance here though, hence at the very least: a title.
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Tekakwitha is awfully good at coming up with titles. I really like this one.
I think the technique is progressing nicely — I’m pretty happy with this one. I have another, sort of a sister painting to this one, but it’s perched on my easel because it just needs something. I have a vague idea of what, but I’m not ready to commit yet.
Painting — the way I paint at least — is always an example of MLK’s saying (and I know I’m going to misquote him here) “you don’t have to see the whole staircase to take the first step.” Or something like that.
I almost always get to a point in a painting where I think this is not going well, I’ve ruined it. Then I launch a desperate rescue operation. Which usually works out. Some pieces end up in the pile of shame, but thankfully only a very few. Almost always I can pull it off, and I’m happy with the final result. Like I planned it that way all along. Like with this one. π
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All works are available for sale. Check out my website:
If you’d like to consider supporting my work on a monthly basis (for as little as $1 a month) and keep me painting, I’d love to have you join my team and get available discounts on original art and exclusive behind the scenes content: patreon.com/spyderwebb
If you’d like to consider supporting my work on a monthly basis (for as little as $1 a month) and keep me painting, I’d love to have you join my team and get available discounts on original art and exclusive behind the scenes content: patreon.com/spyderwebb
Me listening to a podcast and forgetting I had the headphones on when I took the picture.
I’m working with larger sizes and larger drill bits. And therefore more detail in the dots, which I’m really enjoying. The magical ethereal effect is just magnified.
And yes, I’m having as much fun as it looks like!
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Just for a change of scenery, we’re looking down on the landscape in this one. Sometimes you want to be among the trees, but sometimes you need the long view.
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All works are available for sale. Please visit my website:
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11.5″x11.25″ (approximately) Acrylic on reclaimed wood. $288.00
This work is painted on reclaimed wood, so the dimensions are approximate. Also, the sides might not be perfectly straight, but they’re close. I’ve left the edges of this painting unpainted, letting the raw wood show just to keep in the spirit of recycling. I’ve also attached a black paracord and wall bumpers to the back for easy hanging, though of course you’re welcome to have it framed if that’s your preference.
For those of you curious about why I paint this way:
My mother appeared to me outside a window of my house about a dozen years after she passed away. She was standing in gently rolling fields of living, aware flowers of the most unearthly beauty — colors that don’t exist on earth. Many years before that, my experiences with entheogenic substances caused me to perceive the world in a new way.
And what that has to do with the way I paint is everything.
I can’t reproduce the colors or textures from those experiences, but these Sparks of Joy are as close as I can come. And yes, it’s a very joyful experience when you see the world like this. I don’t mean literally as in “seeing things” but knowing that this is the reality of the way the world is made, that behind and beyond the mundane outward appearances there is a magical substrate: well, the joy that brings me is something I want to share with anyone who chooses to bring my art into their lives.
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14.25″ x 5.5″ Acrylic on reclaimed wood, $316 (US shipping included)
The little curved black area at the top right and the thin black line at the bottom are not part of the painting, they’re areas where the wood doesn’t conform neatly to the rigid straight lines of the graphic image. What do you expect? It’s leftover wood from some project or other. I think these imperfections give the artworks an extra bit of character. Plus, I feel good that it didn’t go into a landfill. (You can feel good about it too, if you buy it! π)
Of course, I make sure to seal the wood with acrylic medium and multiple coats of acrylic gesso before painting to make sure the art itself is as archival as that painted on any traditional support.
I have no idea if people are going to respond positively to the recycled aspect or not, but it means something to me, so I’m going to keep going with it, as well as continuing to paint on traditional supports like panels and canvas.
So what does the title mean? Does it evoke traveling to you? My wife Tekakwitha came up with the title when I was stumped, and I can totally relate to it.Β
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Acrylic on canvas board, 6″x6″ $96 (shipping included)
What do you see first? The sunrise or the fire coming over the hills? the first thing I saw was the fire, but after a while I saw a sunrise.
Maybe it’s both. the destruction of a massive fire followed by the promise of a bright new day. Sound familiar? That could apply to a lot of things in life, couldn’t it?
I deliberately made the colors in the dots in some ares more random to add texture. First time I’ve done this. I have a larger one I’ll be posting that’s the second one done that way. This was more of a quick experiment, but I’m pretty happy with the way it turned out.